euo:




Excerpt from my journal:
"I jumped in the ocean to make myself feel alive. All I got was cold hands and seaweed in my hair."

euo:

Excerpt from my journal:

"I jumped in the ocean to make myself feel alive. All I got was cold hands and seaweed in my hair."

(via boyirl)

vvni:

I know I sound confused but do you ever get the feeling that you’re being used
Al Shep

vvni:

I know I sound confused but do you ever get the feeling that you’re being used

Al Shep

(via jewist)

hifructosemag:

There seems to be a history running through Carmel Seymour’s water colors, but it’s hard to pin down. Somewhere in the hazy but sublime gap between art and illustration, the paintings suspend an alternate reality in the canvas’ mid-air, depicting some hyperreal folklore in a wash of negative space. Seymour’s conceit seems simple enough: she places contemporary figures, such as girls in jeans and sneakers, in some private oasis, perhaps the figures’ dream landscape or perhaps some alien planet. But the landscapes where her figures exist are not so much ‘scapes as objects; entities without a before or after. Her water colors are deployed in highly restrained and linear strokes to focus on details, and then exploded to disrupt the hyperrealism and maximize the medium’s atmospheric emphasis. The paintings have no clear beginning or end, but beg the question: what’s the story here?

See more on Hi-Fructose.